A Hero of Our Time0

Mikhail Lermontov


The Author's Preface



The preface is the first and at the same time the last thing in any book. It serves either to explain the purpose of the work or to defend the author from his critics. Ordinarily, however, readers are concerned with neither the moral nor the journalistic attacks on the author--as a result they don't read prefaces. Well, that's too bad, especially in our country. Our public is still so immature and simple-hearted that it doesn't understand a fable unless it finds the moral at the end. It fails to grasp a joke or sense an irony--it simply hasn't been brought up properly. It's as yet unaware that obvious violent abuse has no place in respectable society and respectable books, that education nowadays has worked out a sharper, almost invisible, but nevertheless deadly weapon, which behind the curtain of flattery cuts with a stab against which there is no defense. Our public is like the person from the sticks who, overhearing a conversation between two diplomats belonging to hostile courts, becomes convinced that each is being false to his government for the sake of a tender mutual friendship.

This book recently had the misfortune of being taken literally by some readers and even some reviewers. Some were seriously shocked at being given a man as amoral as the Hero of Our Time for a model. Others delicately hinted that the author had drawn portraits of himself and his acquaintances . . . What an old, weak joke! But apparently Russia is made up so that however she may progress in every other respect, she is unable to get rid of foolish ideas like this. With us the most fantastic of fairy tales has hardly a chance of escaping criticism as an attempt to hurt our feelings!

A Hero of Our Time, my dear readers, is indeed a portrait, but not of one man. It is a portrait built up of all our generation's vices in full bloom. You will again tell me that a human being cannot be so wicked, and I will reply that if you can believe in the existence of all the villains of tragedy and romance, why wouldn't believe that there was a Pechorin? If you could admire far more terrifying and repulsive types, why aren't you more merciful to this character, even if it is fictitious? Isn't it because there's more truth in it than you might wish?

You say that morality will gain nothing by it. Excuse me. People have been fed so much candy they are sick to their stomachs. Now bitter medicine and acid truths are needed. But don't ever think that the author of this book was ever ambitious enough to dream about reforming human vices. May God preserve him from such foolishness! It simply amused him to picture the modern man as he sees him and as he so often--to his own and your own misfortune--has found him to be. It's enough that the disease has been diagnosed--how to cure it only the Lord knows!
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